How to create white. Rules and features of mixing two or more colors

Taking the first steps in working with decor, most artists are faced with the lack of many shades in standard paint sets. And in everyday life, the need to get different tones arises quite often: from choosing a color for painting the walls in a house to choosing the perfect eye shadow. However, do not be upset if there is no necessary element in the existing arsenal of paints. Remember, with only three basic colors available: yellow, blue and red, you can get any shade that exists in nature. So, to get orange, you just need to mix two basic colors: red and yellow, and also get acquainted with some of the nuances that artists use when mixing paints.

First, let's prepare everything you need. You need to bring:

  1. surface for mixing (for example, a palette);
  2. yellow and red paint;
  3. brushes;
  4. canvas or other work surface on which the resulting material is planned to be applied (watercolor paper, pastel paper, etc.).
The result of mixing yellow and red from paint

To ensure that the final color is perfect, before starting work, make sure that the surface is free of foreign particles (lint, dust particles, brush hairs, etc.). You also need to immediately decide which of the ways you plan to get the desired orange tone. If mixing is done on paper, the final hue is obtained by overlapping the tone after applying one layer of composition to another. If you mix colors on a palette or b cans, you get a separate new tone as a result.

Receipt process

To get orange by combining shades on paper, you first need to decide what you want to get in the end. Since if you apply yellow on top of red, the final tone will be darker than if you apply red on top. It is also important to ensure that the blending brush is free of foreign tints, as the presence of a paint brush of a different color on the hairs of a brush can give a completely unexpected result.
The same rule must be followed if you plan to get the necessary orange color in dry painting. Just layer red and yellow on top of each other and then rub. The resulting shade will entirely depend on what color layer was applied on top: if the last layer was yellow, then orange will be lighter, if red, a red-orange tone is formed.

When mixing paints on a palette, the situation is somewhat simpler. You need to apply a little of one paint base and another on it, and then mix it with a palette knife (a special small spatula). A regular brush will work too, but again make sure the brush is free of other paints.

Completely different mixing rules should be followed if you are working with oil paints. To make the final color orange, you need to apply yellow and red strokes very close to each other, then, moving a little distance away, you will see that you have achieved the desired effect.

Correct Proportions

The proportions of red and yellow paints depend solely on what shade you want to get as a result. So when mixing paints in the same proportions, you will get a classic orange color as a result. In order for the final orange to be more golden or yellow-orange, the yellow paint must predominate. While more red should be added to get a saturated fiery orange. You can also soften the resulting shade of orange by adding a little bit of white paint, then you get a lighter, pastel tone. But to darken the tonality, it is better not to use black, since it does not so much darken as it drowns out the color spectrum. To get a darker shade of orange, it is recommended to apply a little dark gray.


Names of the orange spectrum

Conclusion

The principle of obtaining orange paints is quite simple, it is enough to know the RGB model and the principles of mixing to make the most stable composition. From the type of work, whether it is drawing or room decor, the method of obtaining orange flowers does not change.

Hair coloring is based on a scientific basis - knowledge of color and chemical laws, the skill of a hairdresser-colorist.

Coloring is divided into several varieties, the main of which are:

  • booking;
  • highlighting;
  • balayage;
  • ombre.

When blonding, the master carefully distributes various shades of light tones over the entire length of the hair of each strand. This look looks beautiful on blond hair.

Bronding on light brown straight hair. Results before and after staining

Performing hair highlighting, the hairdresser discolors the selected strands. The number of light strands depends on the wishes of the client and can range from 10% to more than 50%.


Highlights on dark hair

Sometimes for colored strands, the shades obtained during dyeing are additionally neutralized by applying the rules of color.

When carrying out the ombre technique, the master achieves a smooth transition, starting from a very dark root zone to the most lightened ends of the hair.


Long straight hair dyed with ombre

Features of coloring by color types of appearance

To obtain the desired tone, the paint is diluted with certain pigments:

1 pack of paint (60 ml) corrects the color with 4 grams of pigment. When you get an ugly or not the one that is desirable, experts do not recommend lightening the hair color, you get a dirty, unattractive color.

In this case, it is better to correct staining with professional craftsmen who have rich experience and the necessary funds.

Why is it important to know color theory, about color combinations, how to apply it in coloring

It is important to know! For hair coloring, mixing paints and colors, it is important to select matching tones, to combine them in exact proportions. Professionals mix paints that are close in tone, meeting the rules for proper combination:

  • copper shade with brown;
  • eggplant with dark purple;
  • caramel with golden brown.

It is not allowed to mix more than 3 colors of different tone. The hairstyle will gain contrast if white strands are applied to dark hair.

Note! Proper mixing of paints and colors in coloring can visually change the shape of the face, correct parts of the hairstyle with certain color shades.

Rules for mixing paints of different shades

Experienced professionals who know how to evaluate:

  • hair - condition, structure;
  • scalp - sensitive, dry, irritated.

Experts note 4 color types: cold - summer and winter, warm - autumn and spring.

it is undesirable to change the natural color type to the opposite.

For fair-haired women belonging to the “summer” color type, it is better to color with wheat, ashy and platinum tones. Dark-haired representatives of the fair sex belonging to this color type will suit various brown tones.

Blond hair of the “spring” color type is dyed with colors that match the natural color, golden and honey tones. For dark hair this color type is chosen by caramel and walnut.

Bright representatives of the "autumn" are especially suitable for rich colors of colors - red, golden, copper.

Experienced stylists determine the color scheme of hair dyes by the eyes.


Owners of gray-blue eyes are most suitable for light hair tones.

Green-eyed women are offered warm shades. If there are yellowish blotches in the iris of the eyes, orange and red palette paint is recommended. If the eyes differ in a malachite shade, a chestnut, dark blond tone is in harmony.

Light tones look beautiful with blue eyes. Brownish blotches on the iris of blue-eyed individuals suggest staining with caramel or red hues. Bright blue eyes - brown tones work well. Gray-blue is best painted in light colors.

For dark brown eyes with dark skin- chestnut or chocolate tones. If you have light skin with dark brown eyes, you should paint with red shades. For light brown eyes, golden tones are recommended.

Gray-eyed women fit all tones, but it is better not to use too dark shades.

Hair colors are mixed with palette colors similar in tone, accurate selection is carried out using the attached color shade tables.

Do not mix paints produced by different companies.

Manufacturers have their own palette, different from others. The desired result is obtained with the correct calculation of the proportion and amount of paint.

Experts recommend unevenly colored and gray hair - first dye it in a natural color, and then select and mix shades. On hair of different types and textures, the same shades look different, and time exposure affects color saturation.

It is forbidden to dilute paint in metal dishes, suitable for glass, ceramics, plastic.

In what proportions to mix paints

Different amounts of dye are used on hair of different lengths:

  • short hair - 1 pack (60 ml);
  • medium hair - 2 packs (120 ml);
  • long hair - 3 packs (180 ml).

To obtain the shade indicated on the package, 3% oxidizing agent is added when diluting the paint. Mixing paints for hair coloring, take them in equal proportions or add more paint, the color you want to get.

For example, when mixing caramel and golden blond, adding more golden blond, you get a richer golden hue.

Important to remember! The palettes of colors developed by the manufacturers are paints of complex tonality, containing different quantitative content of pigments: gray-green, blue, red and yellow.

The molecules of these dyes vary in size:

  1. The smallest molecule belongs to the gray-green pigment, coloring the hair, it is distributed in it first.
  2. Next in size is blue, which will be the next to take place in the structure of the hair.
  3. Red is larger than the first two, it has little opportunity to take place in dyed hair.
  4. Most of all, the yellow pigment, it has no place at all in the inner part of the hair, it envelops its outer side. Shampoo removes yellow pigment quickly.

The composition of dyes - what is important to know?

Unpainted natural hair contain 3 primary colors. Their different combination determines the natural color of the hair.

Three primary natural colors: blue, red and yellow

In hair coloring, when mixing paints and colors, the gamut of colors is distributed over levels from 1 to 10: starting from 1 - very black and ending at 10 - the lightest. In hair from level 8-10 there is 1 yellow pigment, from level 4-7 there is red and yellow color, brown shades are obtained.

The highest levels 1-3 have the presence of blue pigment in conjunction with red, yellow is completely absent.

Hair dyes of all manufacturers are indicated by numbers, they determine its tone:

  • the first - belonging to the degree of lordship;
  • the second - to the main color (up to 75% of the paint composition);
  • the third is the nuance of color.

secondary colors

Mixing bordering colors acquire secondary:

  • orange - yellow and red;
  • purple - red and blue;
  • green - blue and yellow.

Each of the 3 primary colors has an opposite color (opposite color), contributing to the neutralization of various shades:

Each of the 3 primary colors has a counter color
  • red is extinguished by green;
  • blue - orange;
  • yellow - purple.

Professionals calculate and remove unsuccessful shades according to this principle.

Tertiary colors

By connecting the primary and secondary color borders, they acquire tertiary shades.

When coloring hair, mixing paints and colors, beautiful shades are obtained, for example, by combining a beige shade with a cold violet - exquisite platinum. A blonde with gray-green hair is corrected by adding red, redness is neutralized with a tobacco tint.

Important to remember! On completely bleached hair, the desired shades are not obtained, they become lighter, for example, a purple tint on white hair turns into lilac. With a slight content of yellow pigment in the hair, it comes out:

  1. Pink color takes on a reddish tint.
  2. Lilac neutralizes yellowness, platinum remains.

Darker shades come out on natural uncolored hair.

Harmonious colors

The harmony of nearby colors is the presence of one primary color. Harmonious colors are taken from the intervals of one main color to the next main color. They have 4 subspecies.

The harmony of these colors leads to balance, changing their lightness and saturation when coloring hair, mixing colors and colors. When white or black colors are added to them, the harmony of the combination occurs with the release of one saturated color.


The Oswald circle is the basis of coloristics, which determines the laws of the formation of shades. Mixing dyes and colors to change hair color is carried out in accordance with his recommendations.

monochrome colors

With a monochrome combination, a combination of colors of the same color range occurs, with light and saturated shades. In hairdressing, a similar calm combination is often used.

achromatic colors

The achromatic combination of colors is essentially close to the monochromatic combination; in some sources it is not singled out separately. It is based on two or more achromatic colors.

The classic combination of this harmonic series is considered to be a gradual transition from white to black. Hairstyles made in this style emphasize dignity and stability.


Achromatic color combination

Each manufacturer produces complex color shades using different proportions, which gives the product its own shade.

Some companies add a neutralizing pigment, but not always. The complexity of staining to obtain the desired effect is to carefully study the composition of the paints.

Ash shades

Ash shades are popular in hair coloring in salons, especially with ombre.

The results of staining with ashy shades may differ from those expected. Therefore, a number of nuances should be taken into account :

  • ashy shade on bleached hair looks excessively gray or dirty;
  • it gives darkening to the hair;
  • in the presence of yellowness creates a green tint;
  • suits young girls, other women look older.

Ash shade is most suitable for young girls

Skillful hands of a professional will avoid side effects and get the desired result when taking into account the following features of ashy paint:

  • there is a lot of blue pigment in the ashy shade;
  • a feature of the paint is the presence of different manufacturers different shades;
  • ashy shades of different firms differ in pigment density;
  • this paint removes the orange tint when lightening.

Before proceeding with the coloring of hair, you should determine a few points:

  • correctly set the depth of the tone in the hair;
  • understand what hair color the client wants to receive;
  • make a decision about additional hair lightening;
  • understand whether after the procedures an unnecessary shade to be neutralized is obtained, and determine the color.

It is important to correctly determine the level of depth of hair tone

Hair coloring, mixing several colors of different colors in a hairstyle contributes to the creation of a unique individual image. This type of coloring is suitable for hair different lengths: from short creative haircuts to beautiful curls.

Experts insist on maintaining a sense of proportion so that there are no overflows of tasteless bright spots. The theory of color, an invaluable practice that brings experience, helps the masters to maintain balance.

Qualified hairdressers warn - you can not rashly experiment without a clear knowledge of the laws of obtaining color combinations.


Hair Color Mixing Chart

How to properly dye your hair using the color technique

Before coloring hair, mixing paints and colors, follow the advice of experts:

  1. It is not recommended to use masks for a week before dyeing, as the special substances contained in them envelop the hair and can change the expected color result.
  2. Do not wash your head before dyeing: skin on the head will not suffer from the oxidizing agent, due to the released fat.
  3. Paint is applied to dry hair, wet dilute it, the color will lose saturation.
  4. To facilitate the distribution of the dye, the hair is divided into strands and the dye is applied evenly and quickly.
  5. The paint is applied again, first on the root zone, after 20 minutes, spread over the entire length.
  6. Perform the procedure with gloves that protect your hands.
  7. Wash off the paint gradually, moisten, lather. Then wash your hair with shampoo and apply balm.

Paints must be for professional use and belong to the same manufacturer .

Mixing paints and colors in hair coloring should be carried out step by step:

  1. Read the instructions carefully. Mix colors separately.
  2. Mix paints together in the chosen proportion.
  3. Mix composition thoroughly and distribute the mixture through the hair. The paint is applied immediately after preparation, because. the shelf life of the diluted coloring composition is short.
  4. keep hair dye according to the instructions, then wash your hair.

Note! Diluted and mixed paints must not be stored. After 30 minutes, a reaction with air masses will occur and the paint will deteriorate. A multi-colored mixture should be used in one go.

The records determine:

  • the color you like, no need to remember - what shades were used when mixing;
  • duration - how long the staining is not washed off;
  • unsuitable shade - which colors should not be mixed.

Professionals warnit is difficult to get rid of some tones of colors. First you need to remove the color you don’t like, and then dye your hair again. These actions will affect the condition of the skin on the head and hair.

After consulting with experts, you can understand which colors are more suitable for your skin type and face shape and find a special individual hair color that emphasizes a unique female image. Be healthy and beautiful!

Useful video materials on the topic: Hair coloring. Mixing paints and colors

How to mix hair dyes correctly:

A short course on the basics of color:

You can see how to choose a shade for your hair here:

The color mixing table allows you to create a huge palette of bright shades from 3 basic colors. It is very exciting! The main thing is to choose the right colors according to the color mixing table.

Artist's Workshop: Magic Lessons

1. The combination of two neighboring colors of the spectrum gives shades with different intensities of these colors. For example, yellow and orange, when superimposed, give yellow-orange or orange-yellow, depending on which of these 2 colors prevails. If, in equal proportions, you mix 3 shades located next to each other on the color wheel, for example, yellow, red and orange, you will get the same orange, but more dirty.

2. When white is added to any color, its pastel shades of different intensities are obtained.

3. By mixing in equal proportions 2 primary colors that are separated by 1 shade on the color wheel, we get exactly the intermediate color that separates them. For example, red + blue = purple.

4. An equal combination of 2 contrasting colors (located opposite each other on the color wheel) always gives a gray with a hint of one of these colors. For example, red + green, blue + orange, etc. Interestingly, if you mix complementary colors in a ratio of 2/1, you get absolute gray (without additional shades).

5. 3 primary colors next to each other, when superimposed in equal proportions, also form gray, for example, green + yellow + orange. Pay attention to a striking pattern: harmonious color combinations (which you can get using the color wheel) when mixing their constituents shades give a gray color - balancing, absorbing each other.

Create new colors according to the paint mixing table

As we already know, there are only 3 colors that cannot be obtained by mixing others. But from them you can create all the other shades. These magical colors are red, yellow and blue. By the way, mixing them with each other in equal proportions, you can get black. How to create all the other shades of the palette, see the table:

The color mixing table and the color wheel are used not only in painting, they are simply irreplaceable when tinting and mixing decorative plaster in construction, in perfumery and soap making, when dyeing fabrics, batik, etc.

The color spectrum: revealing the secrets of the rainbow

Isaac Newton, passing light through a prism, received a multi-colored beam, called the spectrum. For the convenience of color combinations, the continuous line of the spectrum with all its transitional tones was turned into a circle. As you know, three primary shades are distinguished in the color spectrum (red, blue and yellow), when they are mixed in pairs with each other, three more secondary ones are obtained (green, orange and purple). It is these 6 shades that form the color wheel, and each of them has additional colors (blue and red-violet, yellow-green, purple, red and yellow-orange, blue and yellow-green). Newton, by the way, singled out 7 colors, adding blue to the spectrum, which, along with the six main ones, is considered the color of the rainbow. By mixing these shades, making them darker or lighter to varying degrees, you can get a full range of colors.

I would like to immediately make a reservation that the division of the spectrum is conditional and depends on the characteristics of our perception. A person can distinguish up to 1000 tones in the color spectrum. Interestingly, reptiles and birds do not distinguish blue shades, and some fish see everything around in red. It is believed that for cats, the colorful world around us looks dimmer, but they distinguish a huge variety of shades of gray.

Color Spectrum Table

The colors of the spectrum are called chromatic as opposed to achromatic (from Latin "without color"): white, black, gray. The order of the hues in the spectrum is always the same, starting with red and ending with purple.

Shades on the color wheel from green-blue to blue-violet are considered cold, from yellow-green to red-violet - warm. This division is rather arbitrary and depends on what associations these colors evoke in us: red-orange fire, yellow sun, blue ice, blue oceanic abyss. Did you notice that when separating the colors, we didn't mention green? And this is no coincidence. Pure green (which, by the way, is extremely rare) is considered neutral. A drop of yellow makes it warmer, blue - cools.

The color wheel is extremely important in the work of the designer. With its help, you can not only determine harmonious color combinations, create the right atmosphere in the room or an attractive image, but also influence perception by skillfully emphasizing the brightness, purity, beauty of color, enhance its intensity by adding complementary shades, balance cold tones with warm ones, etc. d. This magic is not difficult to learn even if you are not a designer, and you can apply it not only in interior design or clothing. With the help of the color wheel, anyone can create harmony in the apartment, correctly combine colors in clothes, manicure, makeup, etc. For example, Blue eyes orange-coral lipstick or peach shadows will emphasize, and a scarlet dress will refresh a green-turquoise scarf.

Khaki is a light shade of tan, but usually khaki includes a whole range of different tones, from greenish to dusty earthy, combined under the concept of "camouflage color" or camouflage. This color has often been used by armies around the world for military uniforms, including camouflage. The word for color appeared in the middle of the 19th century thanks to the units of the British Indian Army. They used the Hindi word "khaki" referring to the color of their uniform. Light brown uniforms were preferred because they didn't show dirt, but the main reason why all colonial units of the British Army eventually wore khakis was because the shade made great camouflage. In Western fashion, this is the standard color for casual dresses and casual trousers. The military uniform itself is also often referred to as khaki.

The origin of khaki paint

The word "khaki" is a borrowing from Hindustani, where it came from Persian. It denotes the color of the soil, a yellowish-earthy shade. The word "khaki" was first used as the name of a color in 1848. The designation of gray-brown color with this word appeared in English language thanks to the British Indian Army. Initially, the border troops were dressed in their native costume, which consisted of a dressing gown and white pajama trousers made from coarse homemade cotton, as well as a cotton turban. But this ensemble was too inappropriate for the hot climate and very conspicuous. Details of local recruits' clothing were too bright and poorly ventilated.

Then, as an alternative, they were offered a material painted with a greyish-yellow paint made from mulberries (mulberry). Clothing dyed light brown helped blend in with the environment. Before khaki, the stems and inflorescences of the mulberry tree were collected, and then an extract was made from them. It is believed that this dye was previously used by Afghan tribes for camouflage. The khaki fabric dyed in this way was usually linen or cotton. The cooler and more pleasant khaki camouflage uniform proved its superiority and was eventually adopted as active service summer wear by all regiments of the region - British and Indian. In 1902, the khaki uniform became the official service dress of the British Continental Forces.

Neutral shade of khaki in the fine arts

Khaki is very popular in fine arts and is actively used by artists. It is a bit like raw umber, which is needed for underpainting or to muffle bright colors, and also as a base tone for skin, painting tree trunks, earth. Hue is valued for its relative neutrality. The question of what colors to mix to get a khaki color often worries aspiring artists. When you look at the color wheel, the right shades are opposite each other. are blue and orange, red and green, yellow and purple. Mixing any of these pairs will help create base browns that are slightly different from each other.

Using oil or acrylic paints is quite easy to get. But it can be problematic to achieve a certain shade of khaki. Most often, a mixture of brown and green is used to obtain this complex color. After obtaining a tone close to the desired one, a black or yellow tint is added. If you add black or white, you can lighten or darken the paint. Which colors to mix to get khaki depends on the desired result. But mixing the base colors, it is impossible to create the desired shade at once. Therefore, before you get a khaki color, you should mix the paints in the same way as for brown. Then you will have to add other shades to the resulting color scheme to make it darker or lighter.

How to get khaki color when mixing paints

One of the most simple ways create a base brown color - mix all the primary colors. This means that you are using a palette knife to mix the blue, yellow and red together. Another way to get khaki is to mix raw umber and in this case, the result will be close to a pale French gray, warm green-gray. As an example, consider the Venetian stucco walls in khaki.

The first method is more often used - carefully mix all the primary colors. You can make the subtlest transitions of neutral shades from a mixture of basic ones. If you use the color wheel, you need to take which are located one opposite the other. Since khaki has a yellowish tint, green-yellow, for example, cadmium yellow paint, is the central component in the mixture. Using it, you can get the desired color by adding cold red tones, warm bluish, warm white, titanium white, ultramarine blue.

What acrylic paints to mix for khaki

The question of how to get khaki color and mixing what shades will help to get closer to solving this problem, we have already considered. Now let's try to create the desired shade using acrylic paints as an example. For work, we need the paints themselves of several basic colors: red, yellow and blue, as well as white. For our purpose, cadmium red, cadmium yellow medium, sky blue and titanium white are suitable. But you don't have to use these exact shades, try using a classic version of each primary color and opaque white paint.

We also prepare additional tools:

  • brush;
  • water to clean the brush;
  • work surface for testing mixtures;
  • palette for mixing colors;
  • palette knife;
  • paper towels to clean the paint from the palette knife between mixes.

How to mix acrylic paints for brown

Before getting the khaki color from the colors of the base palette, we place on it approximately the same size drops of red, yellow and blue, leaving a large number of spaces between each of them. Add white, then combine equal parts of each of the base colors. Mix them together with a palette knife. In the process, you will get a rich brown color from a cloudy mixture. Depending on the base shades used, the results may vary slightly.

Getting Khaki from Brown

After you have mixed the base brown, add some white color. First enter a small amount, less than the other colors you added to make brown. If you immediately add the same amount, you can lighten it too much. Now you have a basic, rather soft brown. Decide for yourself if it's close enough to the khaki you'd like to use for your painting. It often happens in painting that you need a more specific version of a color that will fit your vision. The resulting shade can be refined by adding more or less of any of the primary colors or white paint to it in order to change it to suit your needs.

Using blue and orange to create khaki

An alternative way to get khaki is to mix blue and orange. The resulting shade can be slightly changed by adding other colors. For example, to create a warmer tone, add red to the mixture. To create a darker one - purple or green. Add tertiary colors for a more subtle color change.

How to change the resulting shade of khaki

If you don't get the shade you want, follow these easy steps to change your khaki color. You can use them to change the shade according to your needs. Before you get a khaki color that is close to the shade of coffee with milk, you can add white paint. Add a little at a time until you reach your desired tone. Using one of the primary colors can also help create the right color, from soft to rich. Adding red or yellow will make the khaki color warmer and lighter, while the blue shade will be cooler. To make it even warmer, experiment with adding red or yellow paint. You need to do this little by little. If you want a very light shade of khaki, the easiest way is to use a lot of light paint and a small amount of the base brown that you mixed earlier. Adding dark to light is easier than the other way around. You can increase or decrease the saturation and make the khaki color brighter by adding more of the base brown to the mixture. You can make it more muted by adding gray paint.

Getting a cool or dark shade of khaki

If the mixture gets too warm, blue dye can be added to cool it down. One way to get khaki wood tones for winter trees, dark hair or fur - experiment with adding blue paint to the main mixture. If it gets too bluish, you can add a little more red and yellow. Next, we'll look at how to get a darker khaki color, for example, for twilight scenes or dark trees. For this, you should not use black paint, as it can create cloudy tones. A khaki color that is dark but still vibrant can be achieved by adding a dark blue, such as ultramarine, to the mix.

Using the CMYK Model

You can also find exactly the shade of khaki that you need using the CMYK color model. CMYK is an abbreviation for cyan, magenta, yellow, and black. Find the brown you want. Image editors can calculate the exact percentages of magenta, yellow, cyan, and black required for that color and then blend them accordingly. Note that magenta, yellow, and cyan are more accurate primary colors, but they are not the standard for mixing paints at this time.

A lot of people like pink. It is popular in clothing, cooking, and flower arrangements, but often ready-made pink paint cannot be found in stores. The reason lies in the fact that pink is actually a shade of red, naturally combining red and purple tones. Fortunately, pink paint, icing sugar and other substances are easy enough to make yourself by mixing red and white.

Steps

Mixing acrylic or oil paints

    Pick up red paint. Different shades of red will make different shades of pink when mixed with white paint. In the work, you can experiment with various red paints. For the most vibrant and long lasting pink paint, try taking Alizarin Red Permanent Oil Paint or Quinacridone Red Acrylic Paint and mixing it with Titanium White Paint. From the scarlet color, you can get a nice pure pink color. Brick red will make a muddier shade of pink, which will be closer to peach.

    Darker tones of red, such as bloody alizarin, give pink with a hint of blue or purple so they are good for fuchsia.

    Get some red paint. Prepare your canvas, paper, or palette. Put some red paint in there. This paint will turn pink, so keep it separate until you know what kind of pink it will turn out and how much paint of that color you will need.

    Add white paint. Next to the spot of red paint, drip white paint. Start with one drop so you don't waste paint. Once you've fully mixed it into the red, you can always add a little more white to dilute the rich red more.

    Mix colors. Using a brush or palette knife, blend the white with the red. Start by adding a very small drop of white paint to get an idea of ​​what shade of pink you can get. Gradually you can add more and more white to get lighter shades of pink. However, remember that each red color has its own hue strength. In the end, you will understand the limits of the red paint you have chosen in terms of its transformation into shades of pink.

    • Darker colors of red will require you to use more white paint to achieve a lighter shade of pink.
    • To make the resulting pink paint a little closer to peach or orange-pink, try softening its tone by adding yellow paint.
    • To make pink paint closer to fuchsia or purple-pink, try adding blue or purple paint to it.

    Mixing watercolor

    Wet the brush with water. Dip a clean brush into a container of water. Press it against the bottom of the container to fluff up the fluff, and then wipe it against the edge of the container to remove excess water.

    Apply red and white paint next to each other on a mixing palette. If you are using wet paints in tubes, press out as much red and white as you need. When working with dry watercolor paints, you can paint the necessary area of ​​\u200b\u200byour work with red and add white to it already on the spot.

    Add some red to the palette cell filled with water. When using wet watercolor paints, it is necessary to draw a wet brush over the red paint, and then dip it into a separate cell of the palette with water. Do not wipe the brush dry afterwards. Just brush off excess water from the edge of the cell.

    • Repeat the procedure for adding red dye to the water until you reach the concentration you need.
  1. Add some white to it as well. Run the brush over the white paint. Dip it in the same cell of the palette where you added red paint. The resulting mixture will begin to take on a pink hue.

    • Keep adding more white until you have pink.
  2. Add other colors to the resulting pink paint. Whether you're using wet or dry watercolors, you have the ability to create new shades of pink from them by adding drops of purple or yellow, or simply by dissolving red paint in water without using white. Experiment with colors until you get the shade of pink you want.

    The use of food coloring

      Measure out the required amount of white matter. The coloring procedure can be carried out, for example, with materials such as icing sugar, glue or hair conditioner. The volume of the substance you measured must correspond to the volume of the product that you want to receive in pink color. Place it in a spacious mixing bowl so that you have enough space to work with the dye.

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